“Rango,” so thoroughly saturated in references to well-known, non-beast-centered stories, practices a kind of reverse animism. Animism is a set of beliefs emphasizing the power of local spirits: creatures, plants, rock formations and other objects of nature. In “Rango,” though, the “spirit of the West” turns out to reside not in a mesa, a cactus or a coyote but rather in a person, a ghostly cowboy rendered by computers (and the voice of Timothy Olyphant) into the spectral likeness of Clint Eastwood.SOURCE: By A.O. Scott in the NY Times
A rationalist's spirited preoccupation with faith -- using a microscope, a telescope and a 10-foot pole -- watching the self-immolation of humankind with a bucket of water in one hand and can of gasoline in the other. This is written in mind of the audience who will be picking through those ashes.
"Of all the questions you might want to ask / about angels, the only one you ever hear / is how many can dance on the head of a pin." -- Billy Collins, bio {Others' quotes}
3.21.2011
Animism As A Narrative Device, But Inverted For Movie Plot
Amid this essay about a cinematic trend of animals as metaphor, it's not just cute animals acting like humans.
Subscribe to:
Post Comments (Atom)
This comment has been removed by a blog administrator.
ReplyDeleteThis comment has been removed by a blog administrator.
ReplyDelete